We re-recorded the chorus then finalized the verse and pre-chorus vocally. Once he got off tour, he and I got in the studio to finish the song. Post then laid down a rough take of the chorus and a rough sketch of the verse melody. Tank God had the first version of the beat with drums and the main pad loop finished, which he initially played to Post in New York when they met in the studio. Which part did you make and which part did he do? The beat was a collaboration with Tank God. There’s always shifts in music and we’re experiencing a major one right now with a new generation of artists emerging. His voice, likability and artistic perspective, coupled with the writing on “Rockstar” - a deadly recipe. I honestly think a big part of the success of the song is because of how Post is the type of artist that he is. Other than luck and timing, why else do you think “ rockstar” performed so well? You also can’t predict what other songs it will be competing against on the radio once it’s released so there’s definitely a lot of luck and timing required in that sense. With that being said, there’s no way to guarantee a song will have that “magic” which ultimately wins over the masses. There’s definitely ways to structure a song so the flow of it feels constantly exciting, as well as melodically making sure the writing has dynamic. Is there a formula you follow to churn out a hit or was it unintentional? The third and final night was adding 21 Savage’s verse and adding some final vocal adlibs to the last chorus. The second night was Post and I finishing the song vocally and getting the beat finalized. The first night was in New York with Post and Tank God laying the rough sketches. Three days, over the span of several months. How long did it take for you to make “ rockstar?” There’s no way to guarantee a song will have that “magic.” It was during that process we realized quickly we had a great chemistry and the same vision musically. We met a few weeks later and began working on some ideas from scratch with Frank Dukes and a few other producers. He then played it for Post the next day, which in turn led to him to want me to work on the vocals for his whole album. I assured him I could help him finalize it, so he got me the session. I was working with another one of Dre’s artists and after a few sessions, he decided to play me an unfinished Post song with 50 Cent.īefore Post’s verse came on he stopped the song and said, “It’s not ready yet.” I said, “Don’t worry, I can hear through anything rough” - so he played me the verse. I was introduced to Post’s manager Dre London through my manager Austin Rosen back in November of 2015. Take us through the journey of how “ rockstar” came to be. 7 on the Hot 100.Ĭongrats on your recent success. In addition to “ rockstar,” Louis also helped write a few other Post Malone songs including “Congratulations.” He is also one of the songwriters behind Camila Cabello’s Young Thug assisted song “ Havana” - which is in second place behind “ rockstar” on Spotify’s global charts and No. In celebration of the song’s success, we linked up with “ rockstar” co-producer and industry veteran Louis Bell to talk about how the track was conceived and the creative process leading up to its completion and release. It broke the single week streaming record on Apple Music with over 25 million streams, currently has nearly a third of a billion Spotify streams, and still sits atop Spotify’s global charts with nearly 6 million daily streams today. 1 single, not just in the US but also in countries like UK, Canada, Australia, New Zealand, Ireland, Portugal, Sweden, Austria, Denmark, Finland, Norway and many more. “ rockstar” became Post Malone and 21 Savage’s first-ever No.
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